Κυριακή 22 Φεβρουαρίου 2009
Παρασκευή 20 Φεβρουαρίου 2009
Τρίτη 17 Φεβρουαρίου 2009
Utopic School. By Dimitra Vakou
Hello!! My name is Dimitra… and I am from Greece…
With the next comic I present you the utopic school…
(I know that the picture is too small but I cannot do something more!!!)
The utopic school
The utopic school is something very important for our lives!!! We spend 7 to 8 hours per day in this building, and I think that it have to be perfect…
In my opinion the utopic school must be spacious. It have to have a swimming pool, two basketball courts, two volleyball and two football. In the classes, we should also have computers with connection in to the internet. A very big bookcase, with encyclopedias for the best information…
All the students should have a small wardrobe in which they can put their clothes or their bags and some personal things!!!
In to the school will be a restaurant (no a cantina) with homemade food!!!
With the next comic I present you the utopic school…
(I know that the picture is too small but I cannot do something more!!!)
The utopic school
The utopic school is something very important for our lives!!! We spend 7 to 8 hours per day in this building, and I think that it have to be perfect…
In my opinion the utopic school must be spacious. It have to have a swimming pool, two basketball courts, two volleyball and two football. In the classes, we should also have computers with connection in to the internet. A very big bookcase, with encyclopedias for the best information…
All the students should have a small wardrobe in which they can put their clothes or their bags and some personal things!!!
In to the school will be a restaurant (no a cantina) with homemade food!!!
Δευτέρα 16 Φεβρουαρίου 2009
Τρίτη 10 Φεβρουαρίου 2009
Κυριακή 8 Φεβρουαρίου 2009
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Ιερό
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Ilissos Basilica -Βασιλική του Ιλισσού - Μαρτύριο του Λεωνίδη
Basilica, Ilissos
Area: Athens
Type: Basilica
Date: first half of the 5th century
Description:
It is the basilica (nowadays, in ruins) that was built on an Ilissos islet, in the east of the Olympeion, where nowadays is situated Fokianou swimming pool. It resembles (but it has smaller dimensions) Lechaion basilica dedicated to Hagios Leonidios and the seven women who martyred with the saint. According to the saint’s mass book, their relics had been washed ashore by the sea to the western harbour in Korinthos, where they were buried. In all probability, the location choice (islet, river) wanted to refer to water due to the afore-mentioned incident. The basilica was dedicated to the same saint and the seven women martyrs.
It is three-aisled with a transept, a narthex and an atrium.
The martyrioum of Hagios Leonidios, bishop of Athens, lies in the northern wall. It is a 4th century building anterior to the basilica, which is dated to the first half of the 5th century based on the floor mosaics.
Panselinou N., Byzantine Athens, Athens 2004, p.39.
http://www.eie.gr/byzantineattica/view.asp?cgpk=490&lg=en&obpk=510&xsl=detail
Σάββατο 7 Φεβρουαρίου 2009
Brief Chronology in the construction of Byzantine Churchesof the Attica
Athens, symbol of the classical civilization, changed its course during the Byzantine period. During late Antiquity, it constituted a great intellectual and cultural center in the Empire. However, the following period was characterized both by the prohibition of the teaching of philosophers in the School of Plato under Justinian and by the conversion of the Parthenon into a Christian church. The veneration of a pagan virgin goddess gave its place to the veneration of the Virgin Mary. These two initiatives of the Byzantine Government sealed the end of the national cultural tradition of the Mediterranean identified with Athens. Gradual demographic and building decline followed indicative of the period after the 6th century in Greece. The overthrow of the traditional economic life after certain northern raids (the Heruli towards the end of the 3rd century, the Goths in the end of the 4th century, the Vandals during the 5th century, the Slavs after the middle of the 6th century, the Saracens in the 8th century onwards) was the reason of a nerveless social, financial and cultural life.
Athens, according to Apostle Paul, had already accepted Christianity since the 3rd century A.D. It is of remarkable interest that a bishop in the First Ecumenical Council of Nicaea (325 A.D.) represented it. In the countryside, the self-sustained rural communities, which continued the life of the ancient demes, also embraced Christianity. Due to the freedom granted to them due to the distance from the center, they started building the first temples, mostly from the end of the 5th and the beginning of the 6th century. These churches – basilicas with exquisite mosaic floors, sometimes entire complexes in Braona, Aigosthena (Porto-Germeno), Stamata, Lavrio or in Glyphada but also in many other places – are representative examples of this type in Attica. All these basilicas are distinguished by baptisteries and remarkable mosaics.
In the year 662/663 A.D., the emperor Constans II spent his winter in Athens, while two women of distinguished Athenian families – proof of the existence of a local aristocracy – Irene and her niece, Theophano, ascended the Byzantine throne (end of the 8th century and in the 9th century respectively). Moreover, Basil II celebrated here his victory against the Bulgars, paying tribute to the church of the Panagia the Athiniotissa, which is no other than the Parthenon.
From the middle of the 9th century onwards, Athens follows the anodic course of the Empire, a route of reconstruction and flourishment known as the Macedonian Renaissance. New churches are built in new architectural types. This building activity will reach its peak during the 11th and the 12th century around Attica. The dominating architectural type – during the middle Byzantine period - was the one of the cross-in-square church, which obtains its own traits in Greece. Nonetheless, early Christian survivals in combination with new forms are observed. Something similar is viewed in the case of Hagioi Apostoloi Solaki in the ancient Agora in Athens, where we come across the rather radical combination of a central, tetra conch and cross in square church. Furthermore, a new architectural type makes its appearance with the Athenian dome, which crowns mostly the small churches in Attica.
The churches built during that period are nowadays known as the churches of the historical centre and not alone. All of Attica is distinguished by a number of churches. The most prominent of all, the Daphni, is decorated by great mosaics, which reveal the association of Attica with the new artistic trends of the big empire centres. On the other hand, even smaller churches, which used to be the katholikon of small monasteries, do not lack interest. On the contrary, they are often decorated with exquisite wall paintings, a fact that makes us wonder whether Attica was indeed declining at that stage.
A great number of these churches is presented on this site.
Athens, according to Apostle Paul, had already accepted Christianity since the 3rd century A.D. It is of remarkable interest that a bishop in the First Ecumenical Council of Nicaea (325 A.D.) represented it. In the countryside, the self-sustained rural communities, which continued the life of the ancient demes, also embraced Christianity. Due to the freedom granted to them due to the distance from the center, they started building the first temples, mostly from the end of the 5th and the beginning of the 6th century. These churches – basilicas with exquisite mosaic floors, sometimes entire complexes in Braona, Aigosthena (Porto-Germeno), Stamata, Lavrio or in Glyphada but also in many other places – are representative examples of this type in Attica. All these basilicas are distinguished by baptisteries and remarkable mosaics.
In the year 662/663 A.D., the emperor Constans II spent his winter in Athens, while two women of distinguished Athenian families – proof of the existence of a local aristocracy – Irene and her niece, Theophano, ascended the Byzantine throne (end of the 8th century and in the 9th century respectively). Moreover, Basil II celebrated here his victory against the Bulgars, paying tribute to the church of the Panagia the Athiniotissa, which is no other than the Parthenon.
From the middle of the 9th century onwards, Athens follows the anodic course of the Empire, a route of reconstruction and flourishment known as the Macedonian Renaissance. New churches are built in new architectural types. This building activity will reach its peak during the 11th and the 12th century around Attica. The dominating architectural type – during the middle Byzantine period - was the one of the cross-in-square church, which obtains its own traits in Greece. Nonetheless, early Christian survivals in combination with new forms are observed. Something similar is viewed in the case of Hagioi Apostoloi Solaki in the ancient Agora in Athens, where we come across the rather radical combination of a central, tetra conch and cross in square church. Furthermore, a new architectural type makes its appearance with the Athenian dome, which crowns mostly the small churches in Attica.
The churches built during that period are nowadays known as the churches of the historical centre and not alone. All of Attica is distinguished by a number of churches. The most prominent of all, the Daphni, is decorated by great mosaics, which reveal the association of Attica with the new artistic trends of the big empire centres. On the other hand, even smaller churches, which used to be the katholikon of small monasteries, do not lack interest. On the contrary, they are often decorated with exquisite wall paintings, a fact that makes us wonder whether Attica was indeed declining at that stage.
A great number of these churches is presented on this site.
Βυζαντινοί Ναοί στην Αττική-Byzantine churches in Attica
During the last century of the Turkish occupation, there were 136 churches in Athens . Several of them got destroyed by the Bavarians, who did not really take an interest on medieval-Christian monuments in Athens , since these were not included in the esthetics of classicism, dominant current of the period. The rest of the churches left in Athens are today, apart from some exceptions, adapted to the modern city and, in many cases, they merge with apartments. Nonetheless, the still remain, not only evidence of the past, but also samples of a high esthetics among the most faultless of all.
They still manage to thrill us and we trace them unswervingly. In actual fact this is a recording of our own personal relationship with the object, the holy places along with their unrivalled devotion to the Byzantine architectural tradition.
We would like to remind of their existence, which although drowned among asymmetrical buildings, insignificant among concrete titans or forgotten on lost hills, remains unique, and in some cases like the one of the monastery in Dafni, captures worldwide attention for its magnificent mosaics.
The conservation of these historical monuments, is not something that should be taken for granted. For various reasons, either environmental ones or because of human error, only a tiny percentage manages to live on and, the more we travel back to the past, the smaller this percentage becomes.
One of the main factors of the history and the limited knowledge on lost monuments we possess is Art (writers and artists).. As for the case of Byzantine monuments in Attiki, there was the architect Theodore Du Moncel (1821-1884), one of the first explorers engaged in creating portrayals of churches in Athens . Another renowned architect was Olga Papalopoulou.
Through our trial to present the Byzantine monuments of Attiki, we cannot compete the esthetics of the paintbrush or the pen; nevertheless, we try to preserve them, indicate them and distinguish them on the universal e-world.
-------------------------------------------------------------------------------------
Attic’s monasteries
-------------------------------------------------------------------------------------
Daphni Monastery
They still manage to thrill us and we trace them unswervingly. In actual fact this is a recording of our own personal relationship with the object, the holy places along with their unrivalled devotion to the Byzantine architectural tradition.
We would like to remind of their existence, which although drowned among asymmetrical buildings, insignificant among concrete titans or forgotten on lost hills, remains unique, and in some cases like the one of the monastery in Dafni, captures worldwide attention for its magnificent mosaics.
The conservation of these historical monuments, is not something that should be taken for granted. For various reasons, either environmental ones or because of human error, only a tiny percentage manages to live on and, the more we travel back to the past, the smaller this percentage becomes.
One of the main factors of the history and the limited knowledge on lost monuments we possess is Art (writers and artists).. As for the case of Byzantine monuments in Attiki, there was the architect Theodore Du Moncel (1821-1884), one of the first explorers engaged in creating portrayals of churches in Athens . Another renowned architect was Olga Papalopoulou.
Through our trial to present the Byzantine monuments of Attiki, we cannot compete the esthetics of the paintbrush or the pen; nevertheless, we try to preserve them, indicate them and distinguish them on the universal e-world.
-------------------------------------------------------------------------------------
Attic’s monasteries
-------------------------------------------------------------------------------------
Daphni Monastery
Biographies
Picasso%27s%2Blife[1]
Anna%2Bfrank[1]
Uploaded on authorSTREAM by dimitris
Anna%2Bfrank[1]
Uploaded on authorSTREAM by dimitris
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We would love to...
From Dimitra Vakou:
By Dimitris
By Alexandra: Hello my name is Alexandra and I'm from Greece....I would love to make our world better and especially our environment!!
By Dimitris
By Alexandra: Hello my name is Alexandra and I'm from Greece....I would love to make our world better and especially our environment!!
Ουτοπίες 1
Utopic school
Hello!! My name is Dimitra… and I am from Greece…
With the next comic I present you the utopic school…
The utopic school
The utopic school is something very important for our lives!!! We spend 7 to 8 hours per day in this building, and I think that it have to be perfect…
In my opinion the utopic school must be spacious. It have to have a swimming pool, two basketball courts, two volleyball and two football. In the classes, we should also have computers with connection in to the internet. A very big bookcase, with encyclopedias for the best information…
All the students should have a small wardrobe in which they can put their clothes or their bags and some personal things!!!
In to the school will be a restaurant (no a cantina) with homemade food!!!
By Dimitra Vakou
--------------------------------------------------------------------------------
Hello!! My name is Dimitra… and I am from Greece…
With the next comic I present you the utopic school…
The utopic school
The utopic school is something very important for our lives!!! We spend 7 to 8 hours per day in this building, and I think that it have to be perfect…
In my opinion the utopic school must be spacious. It have to have a swimming pool, two basketball courts, two volleyball and two football. In the classes, we should also have computers with connection in to the internet. A very big bookcase, with encyclopedias for the best information…
All the students should have a small wardrobe in which they can put their clothes or their bags and some personal things!!!
In to the school will be a restaurant (no a cantina) with homemade food!!!
By Dimitra Vakou
--------------------------------------------------------------------------------
Παρασκευή 6 Φεβρουαρίου 2009
Racism
An eight-year-old black girl in South Africa recently told Ted Koppel on Nightline, "White people are better than black people. Whites know more, have more, and get more. I wish I was white but I am not." American children of color do not have to contend with apartheid, but they still do not live in a prejudice-free society! Say no to racism!
An eight-year-old black girl in South Africa recently told Ted Koppel on Nightline, "White people are better than black people. Whites know more, have more, and get more. I wish I was white but I am not." American children of color do not have to contend with apartheid, but they still do not live in a prejudice-free society! Say no to racism!
Saint Zacharias in Eleusina
The small post Byzantine church devoted to Saint Zacharias has architectural pieces of marble and ancient inscriptions incorporated in its walls. The church is built on the foundations of an ancient Christian triptych Basilica (5th -6th centuries a.C.), the remains of which could be seen around the church.
El Greco
Hello our names are Konstanina & Anastasia & Alexandra and will present you the biography of Diminiko Theotokopoulo (El Greko)
Dominikos Theotokopoulos was borned in 1541 in Crete an island of Greece.He lived the most of his life in Spain and in Italy as a asculptor,architect & painter of regeneration.Orriginaly trained as a hagiografer in Crete and then he left for Venice.In Italy affected by the greatest teachers of Italian art, as Tintoreto and Titsiano,In 1577 he moved to Toledo , where hi lived until the end of his life and completed some of the most famous works.And finally he died on 17th April 1614 in Spain
Dominikos Theotokopoulos was borned in 1541 in Crete an island of Greece.He lived the most of his life in Spain and in Italy as a asculptor,architect & painter of regeneration.Orriginaly trained as a hagiografer in Crete and then he left for Venice.In Italy affected by the greatest teachers of Italian art, as Tintoreto and Titsiano,In 1577 he moved to Toledo , where hi lived until the end of his life and completed some of the most famous works.And finally he died on 17th April 1614 in Spain
Κεραμεικός
The cemeteries of Ancient Athens.
The cemeteries of ancient Athens were located outside the gates of the city walls and extended along the main streets that connected Athens with the Piraeus and other Attic demes.
The most important cemetery was located outside the Sacred Gate, in the district of Kerameikos, on the road to Elefsis. It contained the grave plots of many distinguished families, as well as the memorials of foreigner ambassadors.
To its north, outside the Thriaseian or Dipylon gate, along the street leading to the Academy, was the official cemetery of Athens, the “Demosion Sema”, where the dead of war and important politicians were buried at the expense of the state.
During the Peloponnesian war, the concentration of the rural population of Attica in Athens and the Piraeus for reasons of safety, and its long presence in the city demes favored the expansion of the old cemeteries and led to the creation of new ones.
The cemeteries of ancient Athens were located outside the gates of the city walls and extended along the main streets that connected Athens with the Piraeus and other Attic demes.
The most important cemetery was located outside the Sacred Gate, in the district of Kerameikos, on the road to Elefsis. It contained the grave plots of many distinguished families, as well as the memorials of foreigner ambassadors.
To its north, outside the Thriaseian or Dipylon gate, along the street leading to the Academy, was the official cemetery of Athens, the “Demosion Sema”, where the dead of war and important politicians were buried at the expense of the state.
During the Peloponnesian war, the concentration of the rural population of Attica in Athens and the Piraeus for reasons of safety, and its long presence in the city demes favored the expansion of the old cemeteries and led to the creation of new ones.
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