Σάββατο 7 Φεβρουαρίου 2009
Βυζαντινοί Ναοί στην Αττική-Byzantine churches in Attica
During the last century of the Turkish occupation, there were 136 churches in Athens . Several of them got destroyed by the Bavarians, who did not really take an interest on medieval-Christian monuments in Athens , since these were not included in the esthetics of classicism, dominant current of the period. The rest of the churches left in Athens are today, apart from some exceptions, adapted to the modern city and, in many cases, they merge with apartments. Nonetheless, the still remain, not only evidence of the past, but also samples of a high esthetics among the most faultless of all.
They still manage to thrill us and we trace them unswervingly. In actual fact this is a recording of our own personal relationship with the object, the holy places along with their unrivalled devotion to the Byzantine architectural tradition.
We would like to remind of their existence, which although drowned among asymmetrical buildings, insignificant among concrete titans or forgotten on lost hills, remains unique, and in some cases like the one of the monastery in Dafni, captures worldwide attention for its magnificent mosaics.
The conservation of these historical monuments, is not something that should be taken for granted. For various reasons, either environmental ones or because of human error, only a tiny percentage manages to live on and, the more we travel back to the past, the smaller this percentage becomes.
One of the main factors of the history and the limited knowledge on lost monuments we possess is Art (writers and artists).. As for the case of Byzantine monuments in Attiki, there was the architect Theodore Du Moncel (1821-1884), one of the first explorers engaged in creating portrayals of churches in Athens . Another renowned architect was Olga Papalopoulou.
Through our trial to present the Byzantine monuments of Attiki, we cannot compete the esthetics of the paintbrush or the pen; nevertheless, we try to preserve them, indicate them and distinguish them on the universal e-world.
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Attic’s monasteries
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Daphni Monastery
They still manage to thrill us and we trace them unswervingly. In actual fact this is a recording of our own personal relationship with the object, the holy places along with their unrivalled devotion to the Byzantine architectural tradition.
We would like to remind of their existence, which although drowned among asymmetrical buildings, insignificant among concrete titans or forgotten on lost hills, remains unique, and in some cases like the one of the monastery in Dafni, captures worldwide attention for its magnificent mosaics.
The conservation of these historical monuments, is not something that should be taken for granted. For various reasons, either environmental ones or because of human error, only a tiny percentage manages to live on and, the more we travel back to the past, the smaller this percentage becomes.
One of the main factors of the history and the limited knowledge on lost monuments we possess is Art (writers and artists).. As for the case of Byzantine monuments in Attiki, there was the architect Theodore Du Moncel (1821-1884), one of the first explorers engaged in creating portrayals of churches in Athens . Another renowned architect was Olga Papalopoulou.
Through our trial to present the Byzantine monuments of Attiki, we cannot compete the esthetics of the paintbrush or the pen; nevertheless, we try to preserve them, indicate them and distinguish them on the universal e-world.
-------------------------------------------------------------------------------------
Attic’s monasteries
-------------------------------------------------------------------------------------
Daphni Monastery
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